Writer’s Note:  Ibiteyoureyes was (mistakenly!) under the impression that the Who Should Write Superman series was started in order to discuss who should write the sequel to Superman Returns, and not the comic book(s). Blame his bad memory, and blame the disappointment that was this movie, and blame The Bush Administration (why not?),  for this mistake.

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My first experience reading Frank Miller was not a good one. I picked up a copy of one of the Sin City graphic novels, “watched” a guy get hit by a car while grumbling campy dialogue for a few pages, and then put that copy right down.

There are two important points that I want to make, before someone from the Legion of Geeks (of which I – in addition to most of the saladeers – am probably a low-ranking member) flips out starts an anti-salad video blogging campaign (leave Frank Miller alone!) against this sweet and innocent textual blog.

  1. Let’s get this much gay at the inset: Miller has some serious talent. As some of his work has shown – he can take everything that is good about what is generally understood as the noir genre – and hone it into something special. Unlike some people, he can successfully turn style into substance. It just seems to me, though, that after a few early successes with this strategy, he got too big for his britches. And then his britches snapped open, like the britches of a certain other someone, and he was left with just some junk hanging in the air.
  2. I, as a person, and a biter of eyes, subject “the everyday” and “the mundane” to unhealthy levels of analysis and critique. It’s just the way I shook out. What does this have to do with Frank Miller? As I’ve pointed out, Miller uses many of the themes and devices inherent to noir, and I am a big, big noir fan – and one that places a lot of value on the importance of this genre’s roots. And I believe those roots should be respected. So when Miller (in my opinion) exploits the melodrama and the wisecracking and the tough-guy acts and the sex and etc. that serve as the genre’s main devices and tries to pass them off as the essence of the genre itself – rather than simply utilizing them to their fullest dramatic potential – that, quite simply, boils my bum.

Now…that being said…I firmly believe in battling my own early prejudices and judgments and giving everything as fair a shake as I can. So come over here and let me show you what things look like 180 degrees in the other direction.

I have read two Miller novels since that first, dirty dip in his bibliography, those two novels being: The Dark Knight Returns, and The Dark Knight Strikes Again. The quality and the success of these novels (particularly the first one) have convinced me that Miller should reach back in time, remember what made him good, and write Superman.

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